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And as the cunning, wrathful trickster Mr. You hand the task to executive producers Bryan Fuller (“Pushing Daisies”) and Michael Green (“Heroes”) and procure a cast that includes Gillian Anderson as Media, Cloris Leachman as Zorya and Kristin Chenoweth as Easter.
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How do you bring to life a deity like Easter, the god formerly known as Ostara, Goddess of Spring, before she was upstaged by Jesus? Or Media, a new god who speaks to Shadow in the form of Lucille Ball during an episode of “I Love Lucy”? Or a sister god who watches the constellations to protect mankind, and can literally pluck the moon out of the sky? There was a high probability that a TV adaptation of “American Gods” would be a confusing mess.
#American gods season 1 review series
Wednesday’s true identity - is he Hades, Neptune, Osiris? - is one of many mysteries that lends “American Gods” the same sort of addictive lure as other hit series that sounded absurd at their outset (“Six Feet Under,” “Lost,” “Game of Thrones”) but became national obsessions.Īnd the challenge of creating eight hourlong episodes around Gaiman’s novel shouldn’t be underestimated. In the meantime, Shadow’s deceased wife has miraculously risen from the grave and hopes to atone for her past misdeeds. He’s as cocky, annoying and insecure as a Silicon Valley start-up nerd, a self-consciously hip Microsoft commercial and Justin Bieber combined.Īfter pixelating to life, he traps Shadow inside a white limo and, while vaping some sort of rare toad, demands to know what the so-called Mr. Shadow is nearly beaten to death by the goons of Technical Boy (Bruce Langley), a new god who rules over all things technological. Sweeney can pull gold coins out of thin air but has a drinking problem and has misplaced his luckiest charm, and the result is a terrible streak of bad fortune.Īnd that’s before things get really weird. The pay is too good to pass up, yet, within hours, Shadow’s brawling with the leprechaun Mad Sweeney (played with gusto by Pablo Schreiber).